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Choi Bul-am, now in his 90s, recently sat beside the graves of his former castmates and said he can barely sleep from missing them. He played the original Detective Park in MBC’s legendary drama Susabanjang (Investigation Headquarters). Nearly every major co-star from that groundbreaking 1970s series has now passed away, leaving Choi Bul-am as one of the last living links to Korean television’s early golden age.
Isn’t it strange how a single sentence can carry decades of grief? “I can’t sleep because I miss you,” Choi Bul-am reportedly said, sitting at the graveside in his trademark trench coat as the sun went down. That image alone tells you everything about what it means to outlive your closest friends.
Choi Bul-am’s Lonely Nights
Choi Bul-am built his career playing steady, trustworthy characters. Detective Park in Susabanjang was exactly that kind of role. He led a fictional police squad that captivated Korean households for over a decade, starting in 1971.
Now, Choi Bul-am visits the graves of his old colleagues regularly. This is not a publicity stunt or a scripted moment for cameras. It’s a real, aging actor grappling with real loss, and that honesty is part of why his story resonates so deeply with Korean audiences today.
You might wonder what it feels like to be the last one standing from a beloved cast. Choi Bul-am’s quiet grief gives us a glimpse. According to Kyunghyang Shinmun, the actor’s recent appearance has reignited public interest in both his personal journey and the show that made him famous.
The Legacy of Investigation Headquarters

Susabanjang wasn’t just another police procedural. It ran for nearly two decades, becoming one of the longest-running dramas in Korean broadcasting history. For many Korean families, watching Detective Park solve cases each week was practically a ritual.
The show mirrored Korea’s rapid social changes during the 1970s and 1980s. Crime stories reflected real anxieties about urbanization, poverty, and a rapidly modernizing society. Choi Bul-am’s steady, fatherly presence as Detective Park gave viewers a sense of order amid that chaos.
A modern reboot, Susabanjang 1958, recently paid tribute to the original. Behind-the-scenes photos show Choi Bul-am standing next to Lee Je-hoon, who plays a younger version of the same character. Seeing the two actors smiling together bridges generations in a way few Korean dramas manage to do.
Why does this matter to international readers? Because Susabanjang represents something close to Korea’s version of a founding television myth. Think of it as Korea’s answer to long-running Western procedurals, except this one also happened to shape an entire nation’s media habits.
A Generation of Actors, Fading

Most of the actors who built Susabanjang into a cultural institution have now died. This includes several cast members who worked alongside Choi Bul-am for years. Their passing marks the quiet end of a television era that many younger Koreans only know through reruns or family stories.
Interestingly, the cast of another iconic Korean drama, Jeonwon Ilgi (Diary of a Country), has fared differently. Many of its actors remain alive and active today. This contrast raises a fair question: why do some casts endure together while others scatter so quickly into memory?
Part of the answer may lie in timing and genre. Police dramas, by nature, often carried older actors into demanding, physically draining roles. Still, the human reality remains the same โ every long-running show eventually becomes a story about mortality as much as entertainment.
What Choi Bul-am Still Teaches Us
Choi Bul-am’s graveside visits say something larger about aging, friendship, and memory in Korean society. Korean culture has long placed deep value on loyalty between colleagues, almost like extended family. That closeness can bring enormous comfort, but it can also leave devastating gaps when the group shrinks one person at a time.
There’s no easy fix for the loneliness of outliving your friends, and pretending otherwise would be dishonest. But Choi Bul-am’s choice to keep visiting those graves, to keep saying their names out loud, suggests something hopeful too โ that connection doesn’t simply end when a person does. Many Korean families and former colleagues practice similar rituals, visiting resting places together, which turns private grief into a shared, ongoing act of remembrance rather than an isolated burden.
Choi Bul-am’s story also invites us to ask what we owe the people who shaped our early lives. Do we wait until it’s too late to say we miss them? His example, however sad, nudges us toward appreciating our own circles of friends and colleagues while we still can.
Korean broadcasting has changed dramatically since Susabanjang first aired. Streaming platforms, global K-drama fandoms, and short-form content dominate today’s landscape. Yet Choi Bul-am’s enduring presence reminds global audiences that behind every iconic Korean drama stands a real person, carrying real memories long after the cameras stop rolling.
What do you think modern audiences can learn from Choi Bul-am’s quiet devotion to his departed colleagues?
AI-Generated Photorealistic Image โ All people, scenes, and details in this image are entirely AI-generated and fictional. Not a real photograph of an actual person or event. ์ด ์ด๋ฏธ์ง๋ AI๋ก ์์ฑ๋ ๊ฐ์ ์ด๋ฏธ์ง์ ๋๋ค.





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